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La question de savoir ce que l'acteur vit lorsqu'il incarne un personnage, soit qu’elle ait été présentée comme relevant d’une expérience quasi mystique, soit qu’elle ait donné lieu à des débats philosophiques ou esthétiques les plus divers, a depuis longtemps et continue aujourd’hui encore, de susciter la curiosité et l’intérêt des chercheurs. Comment, en effet, appréhender cette expérience si singulière au cours de laquelle un homme se met à vivre irréellement dans les émotions et les sensations d’un être imaginaire?C’est en croisant différentes approches portant sur cette question que cet ouvrage se propose d’y répondre. De Diderot à Sartre et en passant par Deleuze, il présente tout d’abord différents discours théoriques traitant de cette expérience, puis rend compte des démarches plus contemporaines relevant de la phénoménologie expérientielle, de l’anthropologie ou de la psychologie, qui puisent à même la parole des acteurs les données empiriques de leurs développements théoriques. Enfin, il montre que la diversité des expériences de jeu est elle-même fonction de celle des écritures si différentes d’un dramaturge à l’autre

Acting --- Actors --- Acteurs. --- Art dramatique.

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"As a Ziegfeld Follies girl and film actress, Justine Johnstone was celebrated as "the most beautiful woman in the world." She abruptly retired from acting at 31. For the remainder of her life, she was a pathologist. The first full-length biography of Johnstone chronicles her extraordinary success in two male-dominated fields--show business and medical science"--

Actors --- Women scientists --- Johnstone, Justine,

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Movies --- Autobiography --- Actors --- United States of America

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Non-State Actors and International Obligations examines the contribution and relevance of non-state actors in the creation and implementation of international obligations. These actors have traditionally been marginalised within international law and ambiguities remain over their precise role. Nonetheless, they have become increasingly important in legal regimes as participants in their implementation and enforcement, and as potential holders of duties themselves. Chapters from academics and practitioners investigate different aspects of this relationship, including the sources of obligations, their implementation, human rights aspects, dispute settlement, responsibility and legal accountability.

Non-state actors (International relations) --- NGAs (International relations) --- Non-governmental actors (International relations) --- Nongovernmental actors (International relations) --- Non-state entities (International relations) --- Nonstate entities (International relations) --- Nonstate actors (International relations) --- Associations, institutions, etc. --- International relations

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"Hamlet is arguably the most famous play on the planet, and the greatest of all Shakespeare's works. Its rich story and complex leading role have provoked intense debate and myriad interpretations. To play such a uniquely multi-faceted character as Hamlet represents the supreme challenge for a young actor. Performing Hamlet contains Jonathan Croall's revealing in-depth interviews with five distinguished actors who have played the Prince this century: Jude Law: 'You get to speak possibly the most beautiful lines about humankind ever given to an actor.' Simon Russell Beale: 'Hamlet is a very hospitable role: it will take anything you throw at it.' David Tennant: 'No other part has been so satisfying. It was tough, but utterly compelling.' Maxine Peake: 'Hamlet was a way of accessing bits of me as an actress I've not been able to access before.' Adrian Lester: 'Working with Peter Brook on Hamlet changed me as an actor, and for the better.' The book benefits from the author's interviews with six leading directors of the play during these years: Greg Doran, Nicholas Hytner, Michael Grandage, John Caird, Sarah Frankcom and Simon Godwin. Many other productions are described, from those starring Michael Redgrave, Alec Guinness and Paul Scofield in the 1950s, to the performances of Benedict Cumberbatch, Andrew Scott and Paapa Essiedu in recent times. The volume also includes an updated text of the author's earlier book Hamlet Observed, and an account of actors' experiences of performing at Elsinore."--

Shakespearean actors and actresses. --- Acting --- Philosophy. --- Shakespeare, William, --- Stage history.